/page/2

capsep:

constellation-funk:

thebristolboard:

Forgotten Masterpiece: “Landed” by ECO (Keiichi Koike) from Epic Illustrated #26, published by Marvel/Epic, October 1984.

excuse me, I have to go never write another comic ever again

this is p fuckin oedipal yo

(via ghostattack)

comicsworkbook:

9 Panel Grids - here’s a rerun of a ComicsComics favorite of mine 
If I flip randomly to a page of Watchmen and let my eyes scan the page, usually I look straight at the center – and often that center panel is representative of the whole page. It’s like an anchor. Also, the artist (Dave Gibbons) never gives up the center of the page when he uses a different layout. Never! He never has a center tier that has a vertical gutter in the direct center of the page. I really think this is part of Watchmen‘s visual power. When I flip through the book, my eyes just go from center of page to center of page and I feel more enveloped by the story and by the world created. -Frank Santoro

comicsworkbook:

9 Panel Grids - here’s a rerun of a ComicsComics favorite of mine 

If I flip randomly to a page of Watchmen and let my eyes scan the page, usually I look straight at the center – and often that center panel is representative of the whole page. It’s like an anchor. Also, the artist (Dave Gibbons) never gives up the center of the page when he uses a different layout. Never! He never has a center tier that has a vertical gutter in the direct center of the page. I really think this is part of Watchmen‘s visual power. When I flip through the book, my eyes just go from center of page to center of page and I feel more enveloped by the story and by the world created. -Frank Santoro

rogerwilkerson:

Weigh-In, art by Norman Rockwell.  Happy Preakness Day!

rogerwilkerson:

Weigh-In, art by Norman Rockwell.  Happy Preakness Day!

gordonwiebe:

cowboy composer:
on the frontier spirit of American contemporary classical composers for Listen Magazine

gordonwiebe:

cowboy composer:

on the frontier spirit of American contemporary classical composers for Listen Magazine

(via fieracorrupia)

brightsplashes:

A collaborative drawing between Edward Cheverton and I. Things got out of hand.

(via ghostattack)

kidmograph:

1990

capsep:

constellation-funk:

thebristolboard:

Forgotten Masterpiece: “Landed” by ECO (Keiichi Koike) from Epic Illustrated #26, published by Marvel/Epic, October 1984.

excuse me, I have to go never write another comic ever again

this is p fuckin oedipal yo

(via ghostattack)

ghostattack:

alexhchung:


Cable: Blood & Metal pin up by John Romita Jr. JRJR drew Cable so big, he couldn’t even contain him within the page!




I am the proud owner of this shirt

ghostattack:

alexhchung:

Cable: Blood & Metal pin up by John Romita Jr.

JRJR drew Cable so big, he couldn’t even contain him within the page!

seanhowe:

Art by Wally Wood.

seanhowe:

Art by Wally Wood.

(via ghostattack)

patternbase:

fionagm

patternbase:

fionagm

sinusproblem:

Black Bits, P. Keck 2013.

sinusproblem:

Black Bits, P. Keck 2013.

(via puzzleoverit)

comicsworkbook:

9 Panel Grids - here’s a rerun of a ComicsComics favorite of mine 
If I flip randomly to a page of Watchmen and let my eyes scan the page, usually I look straight at the center – and often that center panel is representative of the whole page. It’s like an anchor. Also, the artist (Dave Gibbons) never gives up the center of the page when he uses a different layout. Never! He never has a center tier that has a vertical gutter in the direct center of the page. I really think this is part of Watchmen‘s visual power. When I flip through the book, my eyes just go from center of page to center of page and I feel more enveloped by the story and by the world created. -Frank Santoro

comicsworkbook:

9 Panel Grids - here’s a rerun of a ComicsComics favorite of mine 

If I flip randomly to a page of Watchmen and let my eyes scan the page, usually I look straight at the center – and often that center panel is representative of the whole page. It’s like an anchor. Also, the artist (Dave Gibbons) never gives up the center of the page when he uses a different layout. Never! He never has a center tier that has a vertical gutter in the direct center of the page. I really think this is part of Watchmen‘s visual power. When I flip through the book, my eyes just go from center of page to center of page and I feel more enveloped by the story and by the world created. -Frank Santoro

rogerwilkerson:

Weigh-In, art by Norman Rockwell.  Happy Preakness Day!

rogerwilkerson:

Weigh-In, art by Norman Rockwell.  Happy Preakness Day!

kidmograph:

Space/TIme
patternbase:

tatasz on deviantart

patternbase:

tatasz on deviantart

gordonwiebe:

cowboy composer:
on the frontier spirit of American contemporary classical composers for Listen Magazine

gordonwiebe:

cowboy composer:

on the frontier spirit of American contemporary classical composers for Listen Magazine

(via fieracorrupia)

(Source: tylerspangler)

brightsplashes:

A collaborative drawing between Edward Cheverton and I. Things got out of hand.

(via ghostattack)

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